Statement
HomageThe beauty of butterflies, moths and horrors makes them sought-after collectibles. Held with needle, we find them in collector's display cases, preserved in the moment of dying and perfect beauty and vitality. Behind the glass, they are unapproachable.
My metallic fliers, leaning on praying mantis, moth or butterfly should be able to fly. This is not meant literally but rather metaphorically.
The construction plan of these metallic insects calls for a lightness we find in folded paper airplanes.
Vibrating, feather-hard rolled stainless steel supports magnificent, wing-like forms made of a wide variety of metals that vibrate at the slightest touch.
The solidified forms begin to "live," become approachable.
Not the morphology of insects is my starting point but the metamorphosis of technoid parts into insect-like pendants and the play with proportions, balance and materiality.
Curriculum Vitae
Ausbildung
| 1985–1991 | Burg Giebichenstein Hochschule für Kunst und Design Halle, Studiengang Plastik, Fachrichtung Schmuck bei Renate Heintze und Dorothea Prühl, Diplom |
Berufliche Stationen
| 1993–2000 | Künstlerische Assistentin bei Prof. Dorothea Prühl, Burg Giebichenstein Hochschule für Kunst und Design Halle |
| seit 2007 | Hochschule Wismar, Professur für Schmuckgestaltung |
Bedeutende Ausstellungen
| 1996 | „Jewelry in europe and america : new times, new thinking“, Crafts Council, London |
| 2005 | „Maker Wearer Viewer contemporary narrative European jewellery“, The Glasgow School of Art/The Scottish Gallery |
| 2008 | „From Hand to Hand“ mudac, Musée de design et d'arts appliqués contemporains, Lausanne |
| 2013 | „SCONFINAMENTI/...DIGRESSIONS“, Piano Nobile Pedrocchi, Padova |
| 2021 | "Curiosity Killed The Cricket" with Märta Mattson, Galeria Tereza Seabra, Lisbon, Portugal |
Auszeichnungen
| 1996 | Förderpreis des Kunsthauses Gutenberg, Ahrenshoop |
| 1998 | Herbert Hofmann Preis, IHM München |